Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Da the avslojades ,att king had consort with France enemies charge a rebellion crowd the 10 august Tuilerierna

ID: 49593

unknow artist Da the avslojades ,att king had consort with France enemies charge a rebellion crowd the 10 august Tuilerierna
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unknow artist Da the avslojades ,att king had consort with France enemies charge a rebellion crowd the 10 august Tuilerierna


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Ekaterina Dolgorukaya | Landscape | Still life floral, all kinds of reality flowers oil painting 306 | lnterior fran sibiriskt fangelse | The Story of Griselda |
Related Artists:
Thomas Pakenham
19 October 1864?C21 August 1915
MAZZOLINO, Ludovico
Italian Painter, 1480-1528 .Italian painter. He may have served an apprenticeship with Ercole de' Roberti (Morelli) before he left Ferrara to study in Bologna with Lorenzo Costa (i). The earliest surviving documentation is from 20 May 1504, when he received a first payment for frescoes (destr. 1604) in eight chapels in S Maria degli Angeli, Ferrara, commissioned by Ercole I d'Este, Duke of Ferrara and Modena. Between 1505 and 1507 he was paid for works, presumably decorative, in the Este guardaroba and the camerini of the Duchessa Lucrezia Borgia in Ferrara Castle (untraced). His first surviving dated painting is the triptych of the Virgin and Child with SS Anthony and Mary Magdalene
Emmanuel de Witte
Dutch 1617-1692 Emmanuel de Witte Gallery Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen).






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